Category Archives: Knitting

Afterthought Thrums

A couple of years back I was asked to teach a class on thrummed mittens. Naturally, I experimented with heaps of patterns in my quest to concoct the perfect mitten– but ultimately found that the most important thing is the construction of the thrum. I thought I’d share my recipe for the perfect thrum, plus a neat trick to replace missing thrums in your finished object.

How I make my thrums

My method is based on the Yarn Harlot’s technique, but there’s one important difference: instead of twisting in step 3, I use two fingers to roll the center of the thrum against the palm of one hand until it’s lightly felted.

This creates a much more durable thrum than the twisted technique, and keeps the inside of the mitten from getting scraggly with wear. The poor half-mitten pictured below has been much abused as a teaching model, but the thrums are still as soft and puffy as when I made them. (Once washed and worn, they’ll felt and stick to one another a bit more.)

Your thrums should be a little bit thicker than the yarn you’re knitting with, but not so much that they distort the shape of the stitches. Once you knit them into the mitten, they’ll compress down to about the same size as the yarn and look like neat little hearts.

Inserting a thrum after the fact (i.e., “afterthought thrumming”)

Because the Perfect Thrum is neatly felted, you can treat it as if it were a short piece of yarn, and insert it into your knitting even after the mitten is complete. Reasons you might want to do this:

  • You accidentally left out a thrum while knitting.
  • You accidentally pulled out a thrum while knitting.
  • One of your thrums was mangled in a tragic accident, and you yanked it out in pity.

To fill in the empty spot on your mitten, you’ll need a crochet hook in a size suitable for your yarn (or slightly bigger) and a spare thrum.

  1. Find the stitch where the missing thrum belongs, then insert the crochet hook under both legs of the stitch immediately above that one.
  2. Catch one end of the thrum and pull it through.
  3. Put the crochet hook inside the mitten and bring up the hook at the base of the stitch you’re thrumming.
  4. Catch one leg of the thrum and pull it down inside the mitten.
  5. Repeat with the other leg.
  6. Smooth the fabric around the thrum with your fingers.7. Admire your handiwork!

More thrumming tips

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  • To take your thrum knitting out on the road, prepare a batch of thrums in advance and carry them in a small organza gift bag– the fabric is stiff enough to protect your thrums from squashing, and keeps any fuzzy bits from escaping.
  • Whether you’re working from a kit or following a pattern, you probably have a bit of commercially prepared top or roving with which to make your thrums. Don’t cut your fiber– just grab a pinch from one end and pull! If the fiber won’t come apart, make sure the roving isn’t twisted and move your hands farther apart. You can also strip it down lengthwise to help keep the width of your thrums consistent.
  • You can insert afterthought thrums with a very short tapestry needle using duplicate stitch, but I find this rather more fiddly than the crochet hook method.

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Spring wardrobe, part 3

The saga continues!

While my summer sewing plans are perhaps overambitious, I have a conference coming up in May that I’d like to have a couple of outfits ready for. It’s being held in a warmer climate than the one I inhabit, so I’m not quite sure what conditions to expect, but I should be able to cover my bases with a couple of sundress-and-shrug ensembles.

Planned Outfit One is a Hazel in a rose-colored linen. Current challenges include moving the bust darts and increasing the back width. (I am a very beginner sewist, so this is requiring an embarrassing amount of effort.) I’m planning to top it off with Aynia in both the recommended yarn and the recommended colorway (!), which is the very light silvery blue pictured below left:

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Planned Outfit Two is a Crepe in an indigo batik print, to be trimmed with gold bias tape and covered by the Wispy Cardi in the gold Malabrigo above right. This colorway was the closest match I could find for the very specific shade of yellow I imagined. I’ll save this knit for last, since I should be able to wear the Aynia with both dresses. (It will also be nice to knit on the plane.)

In other news, I’m scrambling to finish my Flemish(ish) garb for upcoming SCA events, and a weaving project for a very patient friend. The latter project has been a tangly mess in the corner for a depressingly long time. I finished my other commisison, however, and here’s a glimpse:

A woven bag
More details on my Weavolution page.

I also finished my post-holiday present-to-myself project. It sat on the needles a bit longer than  intended, but I’m quite pleased with the outcome. It’s a Cowboy Cowl modified to include the cable from the Hayden Shawlette. I had only a vague plan for finishing off the cable until I actually knit it, but this seemed to work:

Of course, my favorite part is on the back.

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Dorset buttons!

And one day, when all these projects are under control, I’ll be able to tidy up.

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Right?

Tasty Things

(I’ve been sitting on this post for ages, trying to take new photos with better lighting. Since it’s February, I’ve given up.)

My friends and I talk about yarn the same way normal people talk about food.

“I broke my diet again, but the MadTosh was too delicious to resist.”

“Eh, it’s little bland, but the texture is unbelievable!”

Perhaps not coincidentally, one of my more frequently used comparisons of weaving and knitting is as follows:

Knitting is like cooking. You’re always moving around, keeping track of five things at once, and it makes me immensely frustrated. (Note that this aspect of knitting is less true the more I practice. I’m getting better at the juggling act.)

Weaving, on the other hand, is like baking. All the hard work is at the beginning, and once everything is set up and running smoothly, it’s only a matter of time before you have a delicious finished good.

I suppose spinning is equivalent to making tea, all soothing and repetitive. And bobbin lace… is confectionery?

Sorry. I’ll quit torturing the metaphor. Here’s a guinea pig.

Back in the game

I am pleased to report that last weekend’s band weaving workshop was a success!

This is the setup I asked my students to use. It’s not my favourite weaving arrangement (I prefer using my floor inkle or a backstrap), but it worked very well for demonstrating the technique.

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Incidentally, do you like my new-to-me table loom? I do! It’s a Good Wood Slant loom in cherry (the makers of which disappeared from the web the day after I happened upon this one, so I sadly cannot provide the link).

One of the guild members gave me a book of Lithuanian sash designs in exchange for her heddle, so that will keep me busy on this front for a while (say, several centuries). Stay tuned.

In other news, here’s the belated Christmas roundup! I planned to stick to a few small knitted gifts after the woven insanity of last year, and didn’t break my resolution too badly.

First, a griffin hat for my mother:

IMG_1064I used this kit but substituted griffins for the birds. Why griffins? My mother’s dog is named Gryphon, and if you’re interested, she keeps a blog of his sledding, hiking, and canoeing exploits. Also featured in the blog, of course, is…

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HERE, EDGAR THE DOG SAILED.

…Griff’s partner in crime, Edgar! My dad is something of a medievalist (at least, he likes Brother Cadfael) and I thought he might enjoy a little Bayeux Tapestry featuring his dog. This also gave me an opportunity to practice the Bayeux stitch in pleasantly authentic wool on linen. (I did fix the gap in Edgar’s harness, but didn’t take a picture after that.)

Other gift projects included finishing a sweater for my grandmother (pictures to follow), concocting an amigurimi gastropod for my boyfriend (pictures possibly to follow), and whipping up a hat on commission for a friend (picture follows).

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In exchange, she’ll help me make a muslin!

Once all that was done, I made a little something for myself: EXTERMINITTENS!

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Who and a what now?

And then, some socks. This week I made a sock knitting kit out of ah Altoids tin and wool felt to contain my stitch markers, measuring tape, tapestry needles, repair hook, 4″ DPNs, and snips. I’m sure it’s been done before, but I’m  still quite proud of it.

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Happy New Year to you all. Thanks for following the blog!

Still here, still crafting

It’s time for the annual Christmas gift roundup, but it’s going to have to wait until after the workshop I’m giving this weekend to my weavers’ guild. In the meantime, here’s a sock I accidentally made.

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Oops.

Started just this weekend and finished… yesterday. Amazing! I gave those tiny Addi Turbo circulars a try, and I don’t think I’ve ever knit anything (certainly not a sock) so quickly.

I’ll post again after the workshop. Wish me luck!

Country Living

And we’re back!

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Over the last two months, I have:

  • Hugged a chicken (live)
  • Stuffed a rabbit (knitted)
  • Made a Honiton lace pillow
  • Watched two baby doves hatch, grow, and fly away
  • Introduced guinea pigs to the wonders of fresh grass
  • Learned new recipes
  • Spent time with family
  • Knit things

I’ve been staying with family since the beginning of April while I recovered from surgery. Fortunately, my hands were unaffected, so here are a few highlights from the crafting front:

1. A second Henslowe, shown above.

2.The Christmas coverlets. Remember that big, mysterious project with the giant cone of yarn? Here’s what it turned into:

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Here’s one folded across the back of a chair. Each mini-coverlet is about 30″ x 40″.

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3. A rabbit.

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4. A snail.

4. A little bird.

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And, okay, I admit it– I took a fence shot of the Henslowe:

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More to come on both the finished-object and work-in-project fronts. Stay tuned!

Playing catch-up (and with bobbins)

Crafting has been rampant in these parts as of late, even if the same cannot be said of blogging. I started a two-month bobbin lace course at the end of January, and have spent many hours making tiny samples, learning stitches, and occasionally sprouting side projects to try out my budding skills.

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I have spent an equal number of hours drooling over lace bobbins. They’re the perfect combination and/or perfect storm of small, collectible, relatively affordable (unless you go in for gemstone inlay and elaborate turning), beautifully crafted, useful objects. You can find all sorts of bobbins designed for different aesthetic and functional purposes, and the history of the various types is very interseting. And if you actually make lace, you can justify having a large collection. My biggest project to date called for 19 pairs, but some laces call for hundreds.

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My significant other and I spent a weekend in Ottawa recently, and naturally, my lace homework had to come with us on the train. Some people bring laptops; others bring lace pillows. However, I discovered that it’s actually rather difficult to make lace with the correct tension while moving. My teacher was not tremendously impressed with the results.

On a completely unrelated note, this was the view from our hotel room: the Canadian Parliament. Amazing!

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Right now, I’m working on some trim, just for fun. It’s up to about twenty inches: we’ll see how long I can go. The Canadian Lacemaker Gazette runs a “five-meter club”, but I didn’t wind anything close to five meters on those bobbins. The weaver’s knot (a brilliant invention) may come to my rescue once again.

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Knitting is also making its semi-annual resurgence. In addition to trudging along on the several thousand projects I started last summer, I picked up a few new techniques (Continental!) and am working my way through the new Free-Sole Sock DVD. So far, excellent; I made a mini-sock and learned to knit backwards. I’ll be spending next month recovering from surgery, and hope to have enough mental capacity available to finish at least a few of the four socks, three mittens, two sweaters, and one shawl that I keep meaning to wrap up. There are also a couple of crochet projects yammering at me to finish them. Plus various modifications to existing items, such as a perfectly respectable hat that the recipient shunned as “not warm enough”. At least that can wait until next year. Hmph.

I imagine that weaving will have to take a short hiatus. I’ll be staying with family for a while after the surgery, and though it might be feasible to pack a simple loom or two, I probably wouldn’t use them (I will, after all, be convalescing). Spinning will be subject to similar constraints, though I might pop a spindle in the suitcase. You know, for emergencies.

Also squared away in advance of my departure: two giant bags containing four stinky fleeces. Since my S.O.’s threats of disposal were increasing in proportion to the sheepy smell, I spent the better part of a weekend scouring wool in the bathtub. (And then bleaching the bathtub so as to render it fit for human use.) These fleeces were free, which as fiber-prep folks will know, is a mixed blessing. In the end, I kept the two best fleeces and disposed of the other two, which were heavily matted and very dirty. The ones I kept are of an unidentified longwool: Lincoln or something close to it, but I didn’t have the chance to ask the shepherd since the fleeces were a surprise present (thank you!). Anyway, I now have one white fleece and one black-brown fleece. No plans for them yet, but maybe I’ll make a two-toned fleece rug this summer, à la Anne Field.

Now, there is fringe to be twisted and hems to be stitched. Or I could act like an adult and start my taxes. Thoughts?

Cowling at the Moon

I’m still down with the knitting bug. (This bout is lasting a while.) I made myself a cowl this week out of the yarn rescued from that ill-fated blue mitten:

I really like this pattern.

I grew up calling these “neckwarmers” and thinking of them as fairly hideous cold-weather necessities, but now I can see why they’re so popular in the knitting community. It took just a few days of here-and-there knitting time, and it’s a cozy, useful item. Meanwhile, the knit-along shawl is still knitting along.

This was supposed to be done by the end of September, but I’m, uh, reevaluating my goals.

Otherwise, small-loom weaving has been the norm around here lately. I need to squirrel away my yarn for the winter! Here’s the naturally dyed color gamp that I mentioned planning in my last post, woven on the resurrected table loom:

 

There’s enough warp left to weave a couple more of these.

I also set up the inkle loom for some tablet weaving. This was the first kind of weaving I learned, so it brings back fond memories, and the potential weave structures boggle my mind all the more now. I’m using a threaded-in draft from the Candace Crockett book that leaves some of the holes empty, producing interesting results. Photos to come!

Not much of note in the dyeing and spinning departments, though I picked up some indigo powder at Vermont Sheep & Wool, and I’ll be experimenting with that as soon as I get my hands on some washing soda. I’ve also been fiddling with some of my dyed wool on the spindle. But there’s another new project I’m excited about: learning to make hairpin lace! I got a secondhand Jenkins lace loom and am trying to get my hands used to a crochet hook.

I haven’t done much crochet of any kind before, but there are also a few non-lace patterns I’ve got my eye on. One is for a crocheted guinea pig, because of my new furry friends:

Meet the noble and dignified guinea piglets Archimedes and Sir Gawain!

It would be tough to  spin their fur, but otherwise, these little guys make the perfect pets: they sit tamely on your lap and make endearing noises while you knit. What could be better on a chilly autumn evening?

Yarn, Plant Matter, and the Dangers of Fiber Festivals

You may think I’m kidding, but the fiber arts can lead you down a perilous road. Mostly due to the interesting diversions along the wayside.

See where this stuff gets you?

My friend chopsticknitter has already posted a batch of pictures from the Twist festival in her blog, so I’ll be brief in my review: it was lots of fun, and it has indirectly provided me with more potential blogging content than I know what to do with. In terms of fiber, I stocked up on Shetland, Cheviot, alpaca, and even a bit of bison. (For the sake of my dignity, this indecent haul will not be pictured.) My favorite, though, is the tiny sample of qiviut that is now occupying my supported spindle. This is shockingly beautiful stuff.

The skein in the background is the delicious Handmaiden Camelspin in Pewter, which is on its way to becoming a shawl for a real-life knit-along.

Of course, I have to mention our trip to the loom room. After the greedier other members of my group appropriated the most exotic looms, I found my way to a Fanny just like my own, but pre-warped and conveniently unattended.

Delighted weaving ensued.

We also passed a room that had clearly been occupied by a dyeing workshop, which would have been fun to take. I’ve always been fascinated by natural dyeing. After getting back from the festival, and having picked up all that springy Cheviot, I wound off a batch of ten-yard skeinlets for my schemlets.*

The results of my headfirst dive into the dyepot: lots of yarn and a mild headache.

To date, I’ve experimented with lac, madder, cutch, logwood, pomegranate, turmeric, chamomile, and some rather unsightly black beans. Aside from the lac, these are all plant dyes. (Lac dye comes from a bug-produced resin, making it less icky than dyeing with cochineal, which involves grinding up bugs. I might not mind, but my significant other is concerned that we might find dried insects scattered around the kitchen. He’s probably right.) Anyway, I think the sample skeins will be perfect for weaving a color gamp or two.

“But, tintinnael,” you may ask, “how will you weave any gamps? Isn’t your loom already occupied?”

Well, yes, it is:

This is the scarf that never ends. Please don’t ask how long it’s been on the loom.

But on Saturday, my mother happened to come across this dainty creature gathering dust in the corner of a weaving shop in Vermont. As soon as I saw it, it was love.

It’s a two-shaft counterbalance table loom, toy-sized but fully functional. I’ve seen similar looms on Etsy and eBay, but usually in worse condition for higher prices. (Worthy of note: this one was twenty bucks.) It came intact with a wooden reed and two functioning ratchet-and-pawl mechanisms on the front and back beams. The only things missing: heddles and heddle bars, i.e., string and sticks. So I spend an hour tying string heddles and hacked some dowels to size. To stabilize my makeshift shafts, I tied the lower bars to one another, going underneath the roller at the center of the loom. I’m not sure if this is the originally intended configuration, but it seems to work just fine. And to change the shed, all you have to do is flip the lever on the top of the loom.

Here are some close-up shots of the riggings:

Although it looks delicate, I am pleased to report that the little loom holds up to a good amount of tension. I wouldn’t use it to make floor rugs, but tiny tapestry samples are not out of the question. (Also, I’m careful to take the tension off the warp after every weaving session, a suggestion I read somewhere and have internalized to the point of neurosis. Fellow weavers, is this good practice?)

So, my next project seems likely to be a natural-dye gamp on this little charmer. See how one thing leads to another? There’s no hope for any of us fiber folk.

If you’ve made it this far into my rambling post, you may be interested to see my brand-new Twitter page, also linked from the sidebar to your right. I’m starting to get into the tweeting habit: if you’re there, let me know!

*I know. It doesn’t rhyme.