I have a feeling that this series may be somewhat drawn out.
However, the first fitting shell is on my (new!) dress form, who needs a suitably silly name to compensate for the fact that there’s a disembodied torso in my living room. Here she is modelling my in-progress Flemish garb:
I finished the first of two commissions that have been hanging over my head for a while. I’ll put up some photos in my next post. In the meantime, would you like to see who I got to hang out with this weekend?
I thought you would.
These sheepies live at Shelburne Farms, a lovely and special place. On rainy mucky city days like today, I feel better knowing it’s there!
I’ve been sick the past few weeks, which has had me mostly miserable on the couch with hands idle. I have been working on a few small things, like Dorset buttons and cotton spinning:
And I’m sampling laces for a reproduction Elizabethan hood:
Other than that, things have been as quiet craftwise as they ever are around here. But once I’m up and around again, there’s a laundry list of things to be done, so I am trying to enjoy the break while waiting for spring to arrive.
(I’ve been sitting on this post for ages, trying to take new photos with better lighting. Since it’s February, I’ve given up.)
My friends and I talk about yarn the same way normal people talk about food.
“I broke my diet again, but the MadTosh was too delicious to resist.”
“Eh, it’s little bland, but the texture is unbelievable!”
Perhaps not coincidentally, one of my more frequently used comparisons of weaving and knitting is as follows:
Knitting is like cooking. You’re always moving around, keeping track of five things at once, and it makes me immensely frustrated. (Note that this aspect of knitting is less true the more I practice. I’m getting better at the juggling act.)
Weaving, on the other hand, is like baking. All the hard work is at the beginning, and once everything is set up and running smoothly, it’s only a matter of time before you have a delicious finished good.
I suppose spinning is equivalent to making tea, all soothing and repetitive. And bobbin lace… is confectionery?
Sorry. I’ll quit torturing the metaphor. Here’s a guinea pig.
…Griff’s partner in crime, Edgar! My dad is something of a medievalist (at least, he likes Brother Cadfael) and I thought he might enjoy a little Bayeux Tapestry featuring his dog. This also gave me an opportunity to practice the Bayeux stitch in pleasantly authentic wool on linen. (I did fix the gap in Edgar’s harness, but didn’t take a picture after that.)
Other gift projects included finishing a sweater for my grandmother (pictures to follow), concocting an amigurimi gastropod for my boyfriend (pictures possibly to follow), and whipping up a hat on commission for a friend (picture follows).
Once all that was done, I made a little something for myself: EXTERMINITTENS!
And then, some socks. This week I made a sock knitting kit out of ah Altoids tin and wool felt to contain my stitch markers, measuring tape, tapestry needles, repair hook, 4″ DPNs, and snips. I’m sure it’s been done before, but I’m still quite proud of it.
Happy New Year to you all. Thanks for following the blog!
It’s time for the annual Christmas gift roundup, but it’s going to have to wait until after the workshop I’m giving this weekend to my weavers’ guild. In the meantime, here’s a sock I accidentally made.
Started just this weekend and finished… yesterday. Amazing! I gave those tiny Addi Turbo circulars a try, and I don’t think I’ve ever knit anything (certainly not a sock) so quickly.
One of the things about writing professionally is that you tend to run out of words by the end of the day. Even a blog write-up is a baffling prospect.
Fortunately, I’m not weaving for a living!
For my birthday this year, I got a beautiful cherry inkle loom from SpriggsCreations. It has all of the features I was looking for in a floor inkle loom: easily adjustable tension, sturdy pegs, and that horizontal bar that lets you sit closer to the loom than three-pronged looms like the Cendrel.
To go with the loom, I received a just-as-beautiful Sami shuttle from Ampstrike, which I have long wished for. It’s even better than I thought! Using the shuttle with a rigid heddle designed for supplementary-warp bands, picking out patterns is almost as fast as treadling a floor loom.
Much more to come on this subject. I’ll be teaching a Baltic band weaving workshop at my guild in January. In the meantime, know that many band warps have been wound and woven: mostly wound, since I’m having so much fun trying out new things!
Speaking of new things, I’ve joined the SCA, resulting in a few reenactment goods mysteriously appearing around the house. I wove a silk cap and a wool shawl, and made a leather needle case and sheath as well as a few other goodies suitable for a Shetlandic Norse persona. The only thing I’m not making by hand is the jewelry, because… well, it’s another hobby, and I’m not allowed to start any more hobbies. (Leatherworking doesn’t count, because that’s basically sewing. Right?)
I’ve gotten friendly with several members of my local SCA group, and joined them for a fun workshop in silk painting. I’ve also been practicing the Bayeux embroidery stitch. The resulting projects are less historically accurate, but nonetheless entertaining:
In keeping with the Scandinavian angle that my crafting has taken of late, I dug out an embroidery kit that my mom found at a thrift shop for the grand sum of twenty-five cents. Isn’t it cute?