Crafting every which way

At last, some finished projects! Enough, I think, to give you a quick update.

The Henslowe is complete. Hallelujah! It took almost exactly two skeins of Cascade Ultra Pima. Unfortunately, by “almost exactly two skeins”, I mean “two skeins plus three yards”.

Oh, well.

I also cut the inkle band off the little loom:

It’s about a yard and a half long– what shall I do with it? I’m thinking it would make a nice summer belt once hemmed and finished.

On the big loom, I’m starting another overshot project. Overshot is really my loom’s (and my) comfort zone. I’ll have to sample for weft a bit more, though: the knobbly purple cotton yarn above isn’t quite bulky enough to get a squared pattern with the 8/4 cotton warp I’m using, no matter how lightly I beat. I think that since it’s actually an unbalanced two-ply, it’s not really as bulky as it looks. Some of the leftover Ultra Pima might be just the ticket, though.

(Also, bad tension. Bad, bad tension.)

In other news, I’m still fighting off the knitting bug, so I’ve cast on another project. This time I’ll be attempting Floating in a beautifully indulgent Tanis Silver Label, but I’m trying to go into the project with a different (healthier?) mindset than I did the last. I’ll consider it a learning experience and will live with any non-structural mistakes, but if the whole thing starts to fall to pieces, then I’ll rip it out and use the Tanis to weave some yardage. Or at least inchage.

I will say that my motivation is increased tenfold by the presence of a flock of little sheepy stitch markers.

(I am a sucker for stuff shaped like sheep.)

Next, I’m anxious to get back to my miniature treehouse. I’ve been gradually collecting materials for a nice long session of leaf-making, and I should be ready to start just in time for spring. Whether this turns into a successful project or, um, comic relief, rest assured that pictures are forthcoming!

Talking Craft: Shuttle

A good shuttle, while not absolutely required to make cloth, is one of the most important tools for efficient weaving.

From top to bottom: two stick shuttles, a boat shuttle, a rag shuttle, an end-feed mill shuttle, a baby boat shuttle, and a ski shuttle. The small walnut shuttle in the upper left is a belt shuttle, which is a type of small stick shuttle with a sharp tapered edge for beating in the weft of narrow bands.

The operating principle is the same for the simplest stick shuttles and the heaviest industrial flying shuttles: the shuttle carries weft (or woof, or filling) thread back and forth through an arrangement of warp threads.

Original graphic: http://cnx.org/content/m26166/latest/

When you consider the back-and-forth motion of a shuttle on a conventional loom, it’s easy to see how the word came to be applied to any sort of relayed transportation device.

From Old English scytel (“dart, arrow”), from Proto-Germanic *skutilaz (compare Old Norse skutill (“harpoon”)), from *skut- (“project”) (see shoot). Name for loom weaving instrument, recorded from 1338, is from a sense of being “shot” across the threads. The back-and-forth imagery inspired the extension to “passenger trains” in 1895, aircraft in 1942, and spacecraft in 1969, as well as older terms such as shuttlecock. (Source: Wiktionary)

More obsolete than a stick shuttle?

So the next time you hop on a shuttle bus, wherever you’re going, you can really think of yourself as part of the… fabric… of modern society.

Or something.

Confronting my nemesis with resignation, if not aplomb

I’ve mentioned, probably too often, that I’m not much of a knitter.

My Henslowe is coming along, but it’s not happy about it.

I’ve been fascinated by weaving for as long as I can remember, but didn’t actually teach myself to weave until quite recently. In contrast, I learned to knit many years ago, when my mother taught me to make tiny ski hats. Her knitting didn’t exactly follow a by-the-book approach: more along the lines of “just decrease when it’s time” and “use whichever needles you can find that match”. Not that there’s anything wrong with that– learning to do things by feel gives you a better sense of underlying structure than does following a pattern to the letter, but it’s not the systematic approach that many (brilliant) modern knitters learned.

Accordingly, I’ve often felt a vague sense of inferiority in the knitting realm, not helped by my own lack of dedication. I tend to come down with knitting like a stomach bug: once or twice a year, unpleasant while it lasts, and mostly forgotten once over. When I come back a few months later and pick up the needles again, I’m invariably frustrated that my abilities haven’t magically improved in the interim. (When I mentioned my trouble with Henslowe to chopsticknitter, she was entirely sympathetic, until I showed her the absurdly simple pattern. At which point she observed that considerably less attention was being paid to the shawl on my lap than to, say, our conversation, my tea, and the weather.)

In general, I think I’m a bit disconcerted by textile techniques in which the whole project literally hangs by a single thread. Until the whole project is done, it’s a challenge to relax for fear of making a mistake. (For similar reasons, I’m a much better baker than I am a cook.) With my woefully slow-moving needles, knitting is the most troublesome of such techniques, even though it’s easier to correct mistakes in knitting than in some other single-string techniques. If you’ve ever tried to fix a mistake in tatting once a ring is closed, you will recognize this headache:

I guess you could call these tatting thrums.

But even if you can undo knitted fabric without having to cut it apart (usually), it’s completely unrewarding to rip it out over and over again. Which is what I inevitably wind up doing– or else I decide to live with a mistake and it haunts me forever after. (That said, chopsticknitter also encouraged me not to rip out the lace section of my Henslowe despite the, well, personal touches that found their way into the pattern. Thanks to this helpful advice, I’m nearly finished and think I’ll find it quite wearable.)

Compared to knitting, I find the learning process of weaving much more rewarding, and with every new technique I learn I find that I’m exponentially* more willing to put in the time to study and correct mistakes.

In a welcome moment of peace amidst the knitting wars, I finally got myself an inkle loom (from this shop).

I quickly put on a test warp and am finding inkle weaving to be a pleasant and relaxing experience. I’d never tried this kind of weaving before: my plan for this loom had been to use it for tablet weaving as an alternative to a backstrap, but I’ve also become interested in the idea of pick-up patterning. Though, being freshly burned from the knitting, I thought I’d better master the basic mechanics of this little guy before starting anything fancy.

I guess simple weaving isn’t comparable to complex knitting, but even so– weaving is so much more my thing. I’ll keep struggling my way through the knitting, but I suspect I’ll be much happier if I keep a security blanket (literal or figurative) on the loom.

*Not hyperbole. Only a little, anyway.

Picture of the Week II: A Homemade Turkish Spindle

Very easy to make! The shaft is just a dowel that’s been tapered with sandpaper. Even though I had to get creative with the holes (an awl and a wood-burning tool were involved), you could make this spindle in about five minutes with a real drill. The arms of the little guy above are joined with a simple lap joint carved with a craft knife. However, the spindle is a bit too light for my purposes, so I’ll have to add a bit of extra weight. Either with washers… or some sugru.

Just a quick cop-out post update! Things have been pretty busy over here, so I don’t have a full post for you yet. However, things have been busy on the crafting front.  I’ve been spending too much time around knitters: apparently, these things are contagious! I started a Henslowe of my very own last week, and revived my somewhat stale Ravelry account. There must be something in the air that brings out this interest in spring knitwear. Details are forthcoming.

In other craft news: I’m still plugging away at the experimental warp on my loom, and should be on to more serious projects soon. Spinning is proceeding at its usual leisurely pace. I had hoped to squeeze enough yarn out of the Sweet Georgia roving to manage the Henslowe mentioned above, but no such luck. Finally, the treehouse project and the tapestry continue, although I need a day to sit down at the workbench to make some real progress.

So, enjoy the holiday weekend, and I’ll be back with you soon. Thanks, everyone!